Thursday, August 18, 2005
THE ARMATURE Part 3
The first thing you must do to get your point across is to understand what you want to say. I know that sounds simple and obvious, but I almost never meet writers who know what they want to say. Mostly what they want is to say something deep and profound that no one has ever said before, but they don’t know what that is. Or they want to say a thousand things in one story, not realizing that to say too much is to say nothing at all.
I was once reading an interview with animation director Chuck Jones in which he talked about animating young animals versus old animals. He had observed that a puppy, for instance, would expend excess energy to perform simple tasks. This results in those floppy movements we associate with young mammals. In contrast, adult animals are more economical. Think of the clumsy hunting style of a kitten versus the precision of an adult cat. I have noticed this same thing with story crafters. Writers with the least experience and skill think that the more complicated something is the better. But like a kitten their work comes off clumsy and unfocused. If you want to come off like a mature writer, be precise.